Dessa ornitologer, forskare, naturvetenskapliga illustratörer och konstnärer var födda i Haminanlaks nära Kuopio i Finland. I Stockholm i augusti 1828 påbörjade Magnus och Wilhelm von Wright bildverket Svenska Foglar, finansierat av greve Nils Bonde. Detta ornitologiska verk blev klart 1838 och ar en en samling pa178 litografier.   Related Paintings of broderna von wrights :. | knipa | grasandsungar, studie | skolan och radhuset i tornea | insjolandskap med savolaxbat | fiskmas |
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James Tissot
French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.
Jan josephsz van goyen
Dutch , Leyden 1596-The Hague 1656 was a Dutch landscape painter. Van Goyen was an extremely prolific artist; approximately twelve hundred paintings and more than one thousand drawings by him are known. Jan van Goyen was the son of a shoemaker and started as an apprentice in Leiden. Like many Dutch painters of his time, Jan van Goyen studied art in the town of Haarlem with Esaias van de Velde. At age 35, he established a permanent studio at Den Haag (The Hague). Crenshaw tells (and mentions the sources) that Van Goyen's landscape paintings rarely fetched high prices, but he made up for the modest value of individual pieces by increasing his production, painting thinly and quickly with a limited palette of inexpensive pigments. Despite his market innovations, he always sought more income, not only through related work as an art dealer and auctioneer but also by speculating in tulips and real estate. Although the latter was usually a safe avenue of investing money, in Van Goyen's experience it led to enormous debts. Paulus Potter rented one of his houses. Nicolaes van Berchem became his pupil. In 1652 and 1654 he was forced to sell his collection of paintings and graphic art, and he subsequently moved to a smaller house. He died in 1656, still unbelievably 18,000 guilders in debt, forcing his widow to sell their remaining furniture and paintings.
Rupert Bunny
Australian Painter, 1864-1947 Australian painter. After studying in Melbourne under G. F. Folingsby (d 1891), he moved to Europe in 1884 and studied in London under P. H. Calderon and in Paris under Jean-Paul Laurens, who introduced him to the Societe des Artistes Francais in 1887. His early works consisted mainly of mythological subjects and graceful images of pleasant Symbolist landscapes; he defected to the New Salon in 1901 and produced some less decorative works, including images of biblical subjects. A long series of paintings of women followed, but his style again changed abruptly when in 1913 he exhibited at the Salon d'Automne a series of images of dancers, The Rite, that shows the influence of Primitivism. Although not attracted to the avant-garde, Bunny showed an adventurous spirit in his unusual sense of colour, sense of rhythm and witty use of his subjects' poses. He continued to live in Paris and London until 1933.